This is a sequence of the 4th movement of Shostakovich's
10th Symphony.

   To save tracks, I have put the solo instruments on the
same track as their instrumental sections; so, for example,
in the clarinets track, program 28 is a solo clarinet and
67 is a clarinet section of 2 clarinets. Other instrumental
assignments are as follows:

                Solo       Section

   Flutes       24         65
   Eb Clarinet  69 (using Proteus 2 program 158)
   Oboes        26         66
   Bassoons     30         68
   Trumpet      39 or 40   41
   Mute Trumpet 42
   Trombones    43 or 44   103
   French Horns 36 or 37   38
   Tuba         45

The Proteus 2 has separate programs for p/mf or ff samples for
brass instruments.

   In addition, program 64 is a non-transposing English horn
program.

                    Arco       Pizzicato

   Violins           8         16
   Violas            7         15
   Cellos            6         14
   Basses            5         13
   Tremolo Strings:  19; 20 with a crescendo

 I had to use the GM Tuba program from my Korg O3R/W despite
my attempts to conserve tracks.


Arco and pizzicato string sections have their own
tracks but share a MIDI channel.

Untuned percussion are program 58.

Note that while a transposing key may be in the name
of the track, all tracks have been transposed to "true
pitch" (i.e. as they actually sound). I've left the
names as they are in the score for the information of
those who would like this information. Bars & Pipes
Professional users will see notes in the
area provided for track notes. BTW, the only sound
module I know that has transposing programs is the
Proteus 2, so this remark only applies to those
tracks that are sequenced for the P2 (i.e., those
without a "Korg" or an "SSU" in the track name).

   I have chosen the above compromise for those who
cannot handle a large number of track and do not
have a multi-port MIDI interface (or perhaps only
a Proteus 2). I realize changing programs within
a track is a nuisance to edit if you do not have a
Proteus 2, but the alternative is to bloat the
number of tracks (and it takes a lot of time to
separate out the solo and the pizzicato passages, etc.)
And don't get me started on the subject of General
MIDI: it's not just that there's no bass clarinet, for
instance, it's just that there's only room for one
(at most) version of most instruments and it's usually
only a solo instrument.

    Regarding track labelling, note that some tracks
with the same number are NOT indeed sharing tracks;
it's just that you aren't using the same multi-port
MIDI interface that I am. If the word "Korg" or "SSU" is
in the track name, these are on a separate MIDI Out. Likewise,
anything with "OSMS" n the track name is playing from the
E-mu Sound Engine audio card. The Korg is question is
the O3R/W; "SSU" means the Sound Source Unlimited programs
from the factory A bank sounds; "Korg" may mean either
the Korg-made Orchestral PCM card or the GM (G) banks sounds.

   The extra tracks playing the same notes (in the case
of the brass) are entered only when reinforcement (layering)
are needed for the desired prominence of their melodic line.
Although it increases the number of tracks, I did not want
to omit them and suggest that the Proteus 2 brass alone
can always provide the volume needed. And, of course, you
deserve to see the score the way I've sequenced it.
In some cases the number of tracks for a given file may be
too many for a significant number of people to download.
In such a case, I will consider uploading a version without
the layering, but don't say I didn't warn you <G>!

     Note that in this fourth movement: I've put pizzicato 2nd
violins in the Tremolo Strings track in bars 578-589 (only)
to save a track, as the 1st violins are playing arco at
this point.


                        Gary Goldberg

             National Capital Amiga Users' Group